note nere造句

例句与造句

1. Nola often uses the " note nere " style common in his day.
2. Some of his madrigals are in the " note nere " ( black note ) style.
3. The time signature of note nere madrigals was rather than ( now the sign for alla breve ).
4. The madrigals are also notable in that four of them, every alternate one, were the first in " note nere " rapid style.
5. Naich's madrigals in this style usually begin with passages in longer note values, only gradually progressing into the quick " note nere " style.
6. It's difficult to find note nere in a sentence. 用note nere造句挺难的
7. In the " note nere " style, quick passages ( written in filled-in notes, i . e ., " black " notes ) alternate with slower-moving sections, often in extreme contrast.
8. Some of the methods of madrigal composition common around 1550 which can be found in Hoste's music include chromaticism, unusual chord progressions, especially around cadences, and " note nere " ( black-note ) writing.
9. The first note nere madrigals had appeared, unannounced, in 1538, in the music for the wedding of Cosimo de Medici, where four of seven canzone by Corteccia are note nere, and 1539 with two of the madrigals in Arcadelt's Fourth Book.
10. The first note nere madrigals had appeared, unannounced, in 1538, in the music for the wedding of Cosimo de Medici, where four of seven canzone by Corteccia are note nere, and 1539 with two of the madrigals in Arcadelt's Fourth Book.
11. Notably, Heyden is said to have " adopted a " horror fusae " position at a time when Italian musicians were writing pieces " a note nere " under the signature of C . " In 1546 he published " Paedonomia scholastica pietatis, studii literarij ac morum ".
12. The madrigals he wrote for the Medici weddings are often in a " note nere ", i . e . " black note " style : choppy rhythms, quick note values, sudden textural contrasts; in addition, they were usually designed for instrumental accompaniment, and consequently the soprano and bass lines often stand out.
13. The first publication to establish the pattern that title pages of the collections were often marked as " madrigali a note nere ", in contrast to conventional but unstated " note bianche ", was Claudio Veggio's book of 1540-which was marked " misura a breve "; the same idea.